Lead actor conflict forces two shooting days to be lost; rewrite vs overtime.

[Paul_H]

I'm a first-time director wrapping principal photography on my low-budget indie feature, and we're facing a major scheduling crisis. Our lead actor has a conflicting commitment that forces us to lose two crucial shooting days, but our budget is already stretched too thin to extend the schedule. I'm debating whether to rewrite and condense their remaining scenes, which risks the narrative cohesion, or to push the crew into brutal overtime, which could compromise morale and safety. I need advice from producers who have navigated similar last-minute film production nightmares.