How should I refine my landscape post-processing for sunrise and forest texture?

[WilliamH]

I've been shooting landscapes for a few years and feel confident with my in-camera technique, but my post-processing workflow in Lightroom feels messy and inconsistent, often leaving my photos looking either overdone or flat. I want to develop a more refined approach, particularly for managing complex light in sunrise scenes and bringing out subtle texture in forests without introducing noise or halos. For experienced landscape photographers, what are your essential post-processing techniques for creating a natural yet impactful look? Do you have a specific order of operations you always follow, and how do you decide when to use local adjustments versus global edits? I'm also curious about advanced masking strategies for things like intricate tree lines against a bright sky.

[Stephen_L]

Here's a practical Lightroom workflow I rely on for sunrise scenes and forest textures: start with a neutral profile, enable profile corrections, and set white balance to taste. Then apply global edits: exposure, contrast, highlights and shadows, whites and blacks, plus a mild Tone Curve to add depth without clipping. Move to HSL/Color to separate sky from foliage—warm up yellows/reds in the sunrise while cooling greens and blues in the trees. Add a touch of Dehaze sparingly to restore atmosphere but watch for halos. Do a light global sharpening and a small amount of noise reduction, then switch to local adjustments with Range Masks. For the sky, use a Graduated Filter and limit adjustments with luminance/color range so the forest isn’t affected. For intricate tree lines against bright sky, paint with Brush or Radial, apply a Range Mask (luminance) to protect the sky while lifting detail in the trees and avoiding halos. Finish with subtle color grading and compare on a calibrated monitor; consider a repeatable one-page checklist to keep the order consistent.