Cost trade-offs for autoscaling microservices in production
#1
I’ve been tasked with creating a small, immersive audio installation for a historical society’s exhibit on local maritime history, focusing on the era of wooden sailing ships. My budget is extremely tight, around $300, and the space is a narrow, oddly-shaped alcove with terrible acoustics—lots of echo and ambient noise from the main hall. I have a Zoom H6 recorder, two small, battery-powered mono speakers, and access to basic audio editing software. The challenge is I need to evoke the specific sounds of a 19th-century shipyard—not just generic ocean waves, but the creak of green timber being bent, the tap-tap of caulking mallets, and distant sailors’ shouts—and make it feel present in this difficult space within the next three weeks. I’m struggling with how to layer and spatialize these sounds effectively with my limited gear to create a believable, localized atmosphere without it just becoming a muddy, echoing mess.
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#2
Treat the alcove as a tiny stereo stage: two speakers at opposite ends, ear height. Build 4 short loops—creak, caulking taps, distant shouts, hull ambience—and pan slowly with subtle crossfades. Add a light convolution reverb using the room IR. Keep loops 15–25 s, high-pass filter to reduce mud, test in off hours.
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