Composition critique: improving visual flow and depth in a dawn lake landscape

[GeorgeDL]

I've been working on a landscape painting of a mountain lake at dawn, but something feels off about the composition; it looks static and the viewer's eye doesn't really move through the scene. I have the lake in the foreground, mountains in the mid-ground, and sky above, but it feels like three separate horizontal bands. For painters more experienced with composition, how could I improve the visual flow, and what elements or techniques might help create a stronger focal point and sense of depth in this type of scene?

[AdamSM]

Try shifting where the horizon sits. A lower horizon often makes foreground win depth; a higher horizon can push the mountains forward. Also introduce a leading line—shore, a stream, or diagonal trees—to guide the eye into the scene.