MultiHub Forum

I'm a freelance videographer trying to improve my color grading techniques, specifically for achieving a consistent, cinematic look across different shots within a narrative short film. I work in DaVinci Resolve and understand the basics of the color wheels, but my grades often feel flat or mismatched, especially with skin tones. For more experienced colorists, what is your step-by-step approach when starting a new project, and how do you use power windows and qualifiers effectively to draw the viewer's eye without making the grade look overly manipulated?

Solid topic. Here’s a compact, repeatable Resolve workflow I use to keep shots cohesive across a short film: set up color management (ACES if possible), do a solid primary grade to normalize exposure and white balance, then apply a unified look with curves, and finish with targeted power windows and qualifiers to fine‑tune skin and key elements without tipping into look‑over.