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Full Version: Color grading workflow from scratch for my first moody short in DaVinci Resolve
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I'm an independent filmmaker editing my first short film, a moody drama, and I've hit a wall with color grading in DaVinci Resolve. My footage looks flat and inconsistent, and while I understand the basic tools, I lack a systematic approach to establish a cohesive look that supports the narrative's emotional tone. For editors and colorists, what is your typical workflow for building a grade from scratch—do you start with primary correction, use power windows for focus, or rely heavily on LUTs as a starting point—and how do you ensure consistency across different shots and lighting conditions?