MultiHub Forum

I'm a freelance videographer transitioning from basic correction to more artistic color grading for narrative short films, but my current workflow in DaVinci Resolve feels inefficient and inconsistent from project to project. I struggle with building a robust node tree and managing looks across multiple clips and scenes. For colorists working on indie projects, what is your foundational node structure for maintaining flexibility, and how do you organize your power grades and LUTs to quickly establish a cohesive look while still allowing for nuanced adjustments shot by shot?